For the past year, I have been writing a new feature film called WHITE CROW, which is now in pre-production, set to shoot later this fall! Having just completed another …
Almost two years ago, I decided I was tired of waiting around to make a feature film, and took matters into my own hands. I didn't want to spend the …
Why Shooting 4K Is Becoming Less Important + The Resurgence Of The Arri Alexa Classic
September 4, 2018
4K has been a part of the filmmaking conversation since the RED ONE was first released over ten years ago. At that time, all the “experts” were certain it would …
After Hearing From Nearly 40 Distributors About My Feature, I Chose To Self-Distribute. Here’s Why…
August 21, 2018
Back in June of this year, my feature film SHADOWS ON THE ROAD premiered here in Los Angeles as a part of Dances With Films. As a result, we received …
126 Lessons on Independent Film Directing, Cinematography, Post-Production, Distribution, And More…
August 15, 2018
This week I decided to compile a list of some of the most important lessons I've learned about filmmaking over the years. They cover everything from producing and directing to …
This week, Jim Cummings - Director of THUNDER ROAD - joins me on the show to demystify the process behind his massive success in filmmaking over the past few years. …
Those of you that follow my Sunday newsletter (micro-budget weekly), know how much I love DIY filmmaking. In many respects, it’s the only type of filmmaking that has ever made …
Cinematic language has evolved tremendously since the early days of film, but many of today’s most relevant filmmaking techniques originated in classic films… Many common visual techniques - such as the …
I'm thrilled to announce that I am officially launching Color Grading Masterclass today! I created this course as a direct response to countless requests from my readers, who have been clamoring …
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Shooting F-Log On Fuji’s XT2 And Pairing It With The Brilliant New Eterna Film Simulation LUT = Perfect Colors
June 26, 2018
Fuji have yet again raised the bar for cinematic color science, this time with the flawless pairing of F-Log and their latest film simulation LUT - Eterna. For years, I’ve been …