PODCAST: Shooting A $4,000 Feature With No Crew At 61, Mixing Emmy-Winning TV Sound & Why “Write The Film You Can Shoot” – With Mark Hensley In this episode, I’m joined by filmmaker and re-recording mixer Mark Hensley to talk about his micro-budget feature Clown and Out in Valley Village, which he shot guerrilla style over the course of a year with no crew, a cast of… Continue Reading
PODCAST: Partnering With Joe Swanberg & Shooting A Puppet Horror Feature In 11 Days – With Aidan Leary & C.R. Thompson In this episode, I’m joined by Aidan Leary and C.R. Thompson, the writing team behind Monkey’s Magic Merry Go…
PODCAST: From 80 Acting Credits To Producing Her First Feature, Plus How To Actually Crowdfund A Film On WeFunder – With Hannah Barefoot In this episode, I’m joined by actor and filmmaker Hannah Barefoot to talk about building a career as…
The One Screenwriting Trick That Always Works (For Me) Last week I had one of the best breakthroughs on a script that I’ve ever experienced – and…
Why Backrooms & Obsession Do Not Offer The Same Lessons We’re living through a defining moment in indie film right now, thanks to the massive success of both Backrooms and Obsession.…
The 2 Variables That Speed Up Production The Most This week I shot a new short film (Crow), which I am very excited about. Here’s the logline:…
Treat Every Film Like It’s Your Last Filmmakers consistently underestimate the potential of their work to their own detriment. Many of us have some kind…