cinematography
In this article, I share a definitive list of every available digital video/cinema camera that is capable of recording to ProRes internally. Almost any camera with a clean HDMI/SDI output can record to ProRes externally, using monitor/recorders like the Atomos…
Beautiful cinematography is within reach for virtually any narrative film – even those shot with no-budget at all.…
Below you’ll find the best Fuji X-T4 settings that I recommend for any high end video production. Use…
Below, you will find a detailed aspect ratio and resolution guide. Among other things, you can use it…
I’ve written a lot about creative color grading here on the blog, but today I want to cover…
Making digital footage look like film is entirely possible with the right tools and workflow. It’s all about…
The 2:1 aspect ratio – known by some as Univisium – has gained a tremendous amount of popularity…
40mm lenses have an incredibly rich history in cinema, and have been used (almost) exclusively by a handful…
Thanks to Filmic Pro, the iPhone is capable of recording in both Log (HEVC) and ProRes 422 HQ.…
Introducing… CINECOLOR Digital Film Stock 🙂 This is a brand new set of 80 color grading LUTs that I’ve…
One of my current feature film projects is a micro-budget thriller titled The Canyon, which just began production…
The TT Artisan 50mm F1.2 is an incredibly popular lens with filmmakers, mainly due to its fantastic image…
