SHADOWS ON THE ROAD Is Officially Available To Pre-Order On iTunes!
Almost two years ago, I decided I was tired of waiting around to make a feature film, and…
LATEST BLOG POSTS
Why Shooting 4K Is Becoming Less Important + The Resurgence Of The Arri Alexa Classic
4K has been a part of the filmmaking conversation since the RED ONE was first released over ten…
After Hearing From Nearly 40 Distributors About My Feature, I Chose To Self-Distribute. Here’s Why…
Back in June of this year, my feature film SHADOWS ON THE ROAD premiered here in Los Angeles…
126 Lessons on Independent Film Directing, Cinematography, Post-Production, Distribution, And More…
This week I decided to compile a list of some of the most important lessons I’ve learned about…
PODCAST: Winning Sundance & SXSW With Thunder Road Director Jim Cummings
This week, Jim Cummings – Director of THUNDER ROAD – joins me on the show to demystify the…
The Fundamental Template For Producing A Micro-Budget Feature Film Today
Those of you that follow my Sunday newsletter (micro-budget weekly), know how much I love DIY filmmaking. In…
7 Old School Filmmaking Techniques That Still Define Modern Cinematic Language
Cinematic language has evolved tremendously since the early days of film, but many of today’s most relevant filmmaking…
The Noam Kroll Color Grading Masterclass Has Now Launched! Check It Out Here.
I’m thrilled to announce that I am officially launching Color Grading Masterclass today! I created this course as a…
Shooting F-Log On Fuji’s XT2 And Pairing It With The Brilliant New Eterna Film Simulation LUT = Perfect Colors
Fuji have yet again raised the bar for cinematic color science, this time with the flawless pairing of…
My Brand New Cinematic LUT Packs Are Officially Now Available! Choose From These 15 Powerful Sets…
I am very excited to share my 15 Cinematic LUT packs with all of you today! As a…
How To Make Any DCP For $25 with DaVinci Resolve 15, Kakadu & Cinematiq
DCPs (or Digital Cinema Packages) have long been the gold standard for digital feature film exhibition in theatrical…
Why The Old-School 4:3 Aspect Ratio Is Coming Back With A Vengeance Right Now
For years, the classic 4:3 (or 1.33/1.37) aspect ratio has been on life support. What was once the…
