Noam Kroll

iPhone 13 Vs. Arri Alexa Comparison & Why Apple’s Color Science Is So Impressive

Curious how the new iPhone 13 video quality and color science stacks up to the Arri Alexa? I…

Joining me today is filmmaker Matthew Temple, who recently directed the documentary Hardball: The Girls of Summer, which…

I recently bought a Fuji X-T4 with a specific goal in mind: To set it up as a…

Diffusion filters have seemingly become the most popular tool for filmmakers and cinematographers seeking a filmic look when…

Today I am joined by the multi-talented Daniel B. Levin whose latest documentary Kevin Garnett: Anything is Possible…

Joining me today is acclaimed DGA director Mike Rohl, who has had an amazing directorial career in both…

As most filmmakers know, Netflix original productions can only be shot on cameras that have been approved by…

Jake Gyllenhaal’s latest Netflix feature (The Guilty) wasn’t shot on a typical Hollywood schedule. While most major features…

In this episode, I share a recent guest session recorded live in my filmmaking community (The Backlot), featuring…

I just finished a shooting draft for my upcoming feature film SHELL SHOCK, and thought it would be…

Looking for a color grading LUT to convert your raw footage from Log to Rec 709? I have…

Today I’m joined by documentary filmmaker Nick Scown, whose feature documentary Too Soon: Comedy After 9/11 was just released through…