Color Grading Rant: Why Protecting Your Dynamic Range Is Killing Your Aesthetic
As we all know, high dynamic range is one of the key ingredients needed to achieve a cinematic…
editing
As we all know, high dynamic range is one of the key ingredients needed to achieve a cinematic…
My upcoming feature film Shadows on the Road is currently in the finishing stages of post. Final editing…
Recently, I’ve been shooting a lot of footage on the Fuji X-T2, and have been absolutely loving the…
I’m a sucker for natural light, and am always looking for optimal ways to capture and process my shots…
I’ve had Blackmagic’s Mini Panel for DaVinci Resolve for about a month now, and after putting it to…
You asked for it, so here they are! I am excited to announce that today I am releasing…
I recently came to an important revelation: For years I’ve been approaching my editing process completely in the…
Color correction is one of the most rewarding stages of post-production – largely because it allows us as filmmakers…
As independent filmmakers, we’re always chasing the elusive “cinematic look”. The ultimate goal is usually to increase production value…
There are a lot of music licensing sites out there – some good, and others… well, not so…
I’ve been a fan of FCP X since it was first released (despite the controversy), but over the…
When I was first starting out as a filmmaker I would constantly make little short films as a means to…