Editing & Color Archives - Page 8 of 12

The Auteur Collection: My Latest Cinematic LUT Master Pack Is Available Now!

I am thrilled to announce that today I am officially releasing my latest master pack of Cinematic LUTs:…

Having color graded countless films over the years in collaboration with other filmmakers, I’ve encountered my share of…

Color grading tools have become more accessible than ever, and as a result filmmakers are becoming hyper aware of the role…

As we all know, high dynamic range is one of the key ingredients needed to achieve a cinematic…

My upcoming feature film Shadows on the Road is currently in the finishing stages of post. Final editing…

Recently, I’ve been shooting a lot of footage on the Fuji X-T2, and have been absolutely loving the…

I’m a sucker for natural light, and am always looking for optimal ways to capture and process my shots…

I’ve had Blackmagic’s Mini Panel for DaVinci Resolve for about a month now, and after putting it to…

You asked for it, so here they are! I am excited to announce that today I am releasing…

I recently came to an important revelation: For years I’ve been approaching my editing process completely in the…

Color correction is one of the most rewarding stages of post-production – largely because it allows us as filmmakers…

As independent filmmakers, we’re always chasing the elusive “cinematic look”. The ultimate goal is usually to increase production value…