Over the past few years, color correction tools have become extremely accessible, and more filmmakers than ever are now color grading their own footage – often using LUTs, or Look Up Tables. While LUTs can offer filmmakers an incredible way to improve their creative results while also dramatically reducing post-production time, they need to be used carefully and purposefully in order to achieve the best possible effect.
In this episode, I discuss best practices for using LUTs at every stage of the filmmaking process. Topics include: integrating LUTs into your pre-prouduction workflow, monitoring with LUTs on set, audition looks for clients in post, and the best order of operations for applying LUTs during the grading process.
Take a listen to Episode 36: Color Correction – Maximizing The Power Of LUTs On Set & In Post
Be sure to check out the full line of cinematic LUTs at www.noamkroll.com/luts
Noam Kroll is an award-winning Los Angeles based filmmaker, and the founder of the boutique production house, Creative Rebellion. His work can be seen at international film festivals, on network television, and in various publications across the globe. Follow Noam on Twitter, Instagram and Facebook for more content like this!