Battle Of The 4K Mirrorless Cinema Cameras – Blackmagic Pocket Camera 4K, Canon EOS R, Fuji XT3
Several new mirrorless cameras were released or announced in recent weeks, including Blackmagic’s new Pocket Cinema Camera 4K,…
Cinematography
cinematography
Why Shooting 4K Is Becoming Less Important + The Resurgence Of The Arri Alexa Classic
4K has been a part of the filmmaking conversation since the RED ONE was first released over ten…
126 Lessons on Independent Film Directing, Cinematography, Post-Production, Distribution, And More…
This week I decided to compile a list of some of the most important lessons I’ve learned about…
The Fundamental Template For Producing A Micro-Budget Feature Film Today
Those of you that follow my Sunday newsletter (micro-budget weekly), know how much I love DIY filmmaking. In…
7 Old School Filmmaking Techniques That Still Define Modern Cinematic Language
Cinematic language has evolved tremendously since the early days of film, but many of today’s most relevant filmmaking…
The Noam Kroll Color Grading Masterclass Has Now Launched! Check It Out Here.
I’m thrilled to announce that I am officially launching Color Grading Masterclass today! I created this course as a…
Shooting F-Log On Fuji’s XT2 And Pairing It With The Brilliant New Eterna Film Simulation LUT = Perfect Colors
Fuji have yet again raised the bar for cinematic color science, this time with the flawless pairing of…
My Brand New Cinematic LUT Packs Are Officially Now Available! Choose From These 15 Powerful Sets…
I am very excited to share my 15 Cinematic LUT packs with all of you today! As a…
Why The Old-School 4:3 Aspect Ratio Is Coming Back With A Vengeance Right Now
For years, the classic 4:3 (or 1.33/1.37) aspect ratio has been on life support. What was once the…
Why “Soft Clip” Is A Key Ingredient For The Cinematic Look + How To Easily Apply It In Post
There are countless variables that come into play when attempting to achieve a filmic look with digital source…
Shooting 16mm Film On A Budget With My New Arri 16SRII
I’m a huge fan of the 16mm format. Many of my favorite films are shot on 16 or…
Sony FS5 II, Canon C700 FF, Pocket Cam 4K, Fuji X-H1 + More From Day 1 At NAB
I just got back from an exhausting day on the floor at NAB, but wanted to share some…