Noam Kroll

PODCAST: Directing NBA Legend Kevin Garnett With Documentary Filmmaker Daniel B. Levin

Today I am joined by the multi-talented Daniel B. Levin whose latest documentary Kevin Garnett: Anything is Possible…

As most filmmakers know, Netflix original productions can only be shot on cameras that have been approved by…

Jake Gyllenhaal’s latest Netflix feature (The Guilty) wasn’t shot on a typical Hollywood schedule. While most major features…

In this episode, I share a recent guest session recorded live in my filmmaking community (The Backlot), featuring…

I just finished a shooting draft for my upcoming feature film SHELL SHOCK, and thought it would be…

Looking for a color grading LUT to convert your raw footage from Log to Rec 709? I have…

I recently picked up a Fuji X-T4 to use on a slate of upcoming filmmaking projects, and have…

In this episode I am joined by the amazingly talented Martin Blasick, who has worked in the film…

Earlier this year I had the chance to shoot Super 8mm film on an awesome video project for…

How likely is it for an indie film to become profitable? Statistically speaking, the picture is quite bleak…

To me, the 1.66:1 aspect ratio has a magical quality to it. It’s been used to frame countless…

Traditionally, a feature length Hollywood screenplay is supposed to be 110 – 120 pages in length. But as…