Editing & Color Archives - Page 8 of 11

A Non-Technical Approach To Achieving The Cinematic Look

As independent filmmakers, we’re always chasing the elusive “cinematic look”. The ultimate goal is usually to increase production value…

There are a lot of music licensing sites out there – some good, and others… well, not so…

I’ve been a fan of FCP X since it was first released (despite the controversy), but over the…

When I was first starting out as a filmmaker I would constantly make little short films as a means to…

The URSA Mini seems to just keep getting better with each new update. The latest beta firmware (4.0) is…

There’s a big misconception that color grading black and white projects is easier than grading in full color. While…

I love shooting with natural light, and particularly during golden hour. In fact, whenever possible I aim to…

Last month Blackmagic Design brought me on board to direct a behind the scenes documentary for a film they…

The use of Look Up Tables (or LUTs) has absolutely exploded over the last few years, largely thanks…

Blackmagic has been working long and hard to make their flagship color grading software (Resolve) a full fledged…

Low-light cameras like the Sony A7S and Canon C300 have been opening up incredible possibilities for shooting night exterior…

I’ve been using DaVinci Resolve extensively as a color grading tool for the past few years, but with…