Why The Old-School 4:3 Aspect Ratio Is Coming Back With A Vengeance Right Now
For years, the classic 4:3 (or 1.33/1.37) aspect ratio has been on life support. What was once the…
cinematography
For years, the classic 4:3 (or 1.33/1.37) aspect ratio has been on life support. What was once the…
There are countless variables that come into play when attempting to achieve a filmic look with digital source…
I’m a huge fan of the 16mm format. Many of my favorite films are shot on 16 or…
I just got back from an exhausting day on the floor at NAB, but wanted to share some…
I’m currently at Blackmagic’s press conference at NAB 2018, waiting for all of the official new announcements to…
As some of you may have already heard, a few days ago Apple announced ProRes RAW – the…
With NAB 2018 just around the corner, it’s only a matter of time before we get flooded with…
It’s time for another giveaway! I am thrilled to once again be partnering up with Blackmagic Design, who…
Last year I took Aaron Sorkin’s Masterclass, which I absolutely loved and still reference to this day while…
Until recent years, Fuji’s mirrorless offerings were always seen as incredible tools for photographers, but left a bit…
When I first started out as a filmmaker, I remember becoming somewhat obsessed with framing. At some point…
I am thrilled to announce that today I am officially releasing my latest master pack of Cinematic LUTs:…