How THE WHITE LOTUS Achieves Its Distinct Tone

One of the hardest but most crucial parts of your job as a director is controlling the tone…

5 Genius Filmmaking Tactics From ADOLESCENCE

Everyone is talking about the new Netflix mini-series Adolescence, which consists of 4 episodes, each shot in a…

Color Tip: Stop Grading “Against The Grain”

Here’s a quick tip we wanted to share to help you avoid one of the most common mistakes…

The Battle Of Filmmaking

We talk so much about how hard it is to make films, but not enough about how hard…

My Picture Lock Workflow: Assembly To Final Cut

After 2 years of writing, production, and editing, our latest feature film Teacher’s Pet is officially picture-locked! While…

PODCAST: Stephania Dulowski on Editing BUNNYLOVR & Premiering At Sundance 2025

In this episode, I am joined by film editor Stephania Dulowski to discuss her work on the Sundance…

Every Filmmaker Needs A Competitive Advantage

The mainstream film industry is as bleak as it has ever been – at least from a business…

How To Make A Feature In One Day…

It’s entirely possible to make a feature film in a single production day.   We’ve seen it pulled off…

Avoiding The “2 Year Filmmaking Trap”

The average feature film takes about 2 years to complete from first draft  to final distribution. Most filmmakers…

3 Feature Films To Develop Right Now

So many filmmakers suffer from “analysis paralysis” and as a result never make a single feature film. With…

Making A No-Budget / No-Crew Short Film In 3 Hours On The Sony A7S III

Last week I made a bite sized short film called “Echoes On The Shore”, which was shot in…

A Formula For Failure As a Filmmaker (And How Inversion Thinking Can Help)

One way to improve your results in just about anything (including filmmaking) is by using Inversion Thinking. Humans are far…