First Impressions of RED’s Brand New “Raven” Cinema Camera & Why It’s Not The Right Tool For Me
Over the past couple of years RED has seemingly been looking to take over the very high end cinema camera…
Over the past couple of years RED has seemingly been looking to take over the very high end cinema camera…
The last couple of weeks have been filled with camera and gear announcements, many of which came out…
I recently started a video podcast co-hosted by David Thies – a friend of mine and an excellent…
Last fall I ran my first ever Digital Cinema Bootcamp here in Los Angeles, and am now gearing…
As rumored, Panasonic finally announced the availability of V-Log for GH4 users as a paid upgrade today. For…
Just a few days ago, I wrote a post about the GH5 and the features that I hope to see…
This week I had the pleasure of interviewing Dan May, President of Blackmagic Design at BMD Day here in…
I’ve been a huge fan of Panasonic’s GH cameras for years now, having owned the GH2, GH3 &…
Low-light cameras like the Sony A7S and Canon C300 have been opening up incredible possibilities for shooting night exterior…
The regular readers of my site know that most of the content I write about is production and post…
High dynamic range cameras are currently all the rage with filmmakers, and for good reason. After all, more…
Ever since Veydra released their lineup of Mini-Prime MFT cinema lenses, I’ve been getting lots of e-mails from readers…