Noam Kroll

Atomos Shinobi 5.2″ Monitor: Real World Review For Filmmakers

I recently picked up a 5.2” Atomos Shinobi Monitor to use as part of my run and gun…

Curious how the new iPhone 13 video quality and color science stacks up to the Arri Alexa? I…

I recently bought a Fuji X-T4 with a specific goal in mind: To set it up as a…

Diffusion filters have seemingly become the most popular tool for filmmakers and cinematographers seeking a filmic look when…

Today I am joined by the multi-talented Daniel B. Levin whose latest documentary Kevin Garnett: Anything is Possible…

As most filmmakers know, Netflix original productions can only be shot on cameras that have been approved by…

Jake Gyllenhaal’s latest Netflix feature (The Guilty) wasn’t shot on a typical Hollywood schedule. While most major features…

In this episode, I share a recent guest session recorded live in my filmmaking community (The Backlot), featuring…

I just finished a shooting draft for my upcoming feature film SHELL SHOCK, and thought it would be…

Looking for a color grading LUT to convert your raw footage from Log to Rec 709? I have…

I recently picked up a Fuji X-T4 to use on a slate of upcoming filmmaking projects, and have…

In this episode I am joined by the amazingly talented Martin Blasick, who has worked in the film…