Recording Location Sound As A “One-Man-Band”: Gear Breakdown, Technical Workflow, And Creative Benefits
Right now I am in the midst of directing a “one-man-band” feature film experiment that requires I record…
Right now I am in the midst of directing a “one-man-band” feature film experiment that requires I record…
Returning to the show is Emmy winning micro-budget filmmaker Marcus Mizelle. After directing a trilogy of micro-budget narrative…
I’ve recently come up with a new tool to enhance my productivity and creative output. I call it: Charge,…
If you’re looking for an end credit template for your short or feature film, I have you covered…
I’m thrilled to be joined by editor and director Roger Nygard for an insightful discussion all about the…
The 2:1 aspect ratio – known by some as Univisium – has gained a tremendous amount of popularity…
Today I am joined by award winning film composer and billboard charting producer Roman Molino Dunn. Roman has…
40mm lenses have an incredibly rich history in cinema, and have been used (almost) exclusively by a handful…
Thanks to Filmic Pro, the iPhone is capable of recording in both Log (HEVC) and ProRes 422 HQ.…
Introducing… CINECOLOR Digital Film Stock 🙂 This is a brand new set of 80 color grading LUTs that I’ve…
One of my current feature film projects is a micro-budget thriller titled The Canyon, which just began production…
A few days ago I shared this thought on Twitter about micro-budget filmmaking: Making a small film >…