Noam Kroll

Aspect Ratios In Filmmaking Are Officially No Longer Standardized & The Creative Possibilities Are Endless

One exciting trend that has slowly evolved from a novelty to the norm in recently years is the…

Today I am joined by filmmaker and host of the popular Crimson Engine YouTube channel, Rubidium Wu – who is…

Looking for some free color grading LUTs to load into your monitor for an on-set preview? I have…

I recently picked up a 5.2” Atomos Shinobi Monitor to use as part of my run and gun…

Curious how the new iPhone 13 video quality and color science stacks up to the Arri Alexa? I…

I recently bought a Fuji X-T4 with a specific goal in mind: To set it up as a…

Diffusion filters have seemingly become the most popular tool for filmmakers and cinematographers seeking a filmic look when…

Today I am joined by the multi-talented Daniel B. Levin whose latest documentary Kevin Garnett: Anything is Possible…

As most filmmakers know, Netflix original productions can only be shot on cameras that have been approved by…

Jake Gyllenhaal’s latest Netflix feature (The Guilty) wasn’t shot on a typical Hollywood schedule. While most major features…

In this episode, I share a recent guest session recorded live in my filmmaking community (The Backlot), featuring…

I just finished a shooting draft for my upcoming feature film SHELL SHOCK, and thought it would be…