Color Grading Rant: Why Protecting Your Dynamic Range Is Killing Your Aesthetic
As we all know, high dynamic range is one of the key ingredients needed to achieve a cinematic…
As we all know, high dynamic range is one of the key ingredients needed to achieve a cinematic…
As one of the founders of The Lift Off Global Network of Film Festivals, Ben Pohlman has made…
I’ve made it a point to start shooting more film recently, as I have a Super 16mm project…
Having never attended any sort of traditional film school, I’ve always taken it upon myself to self-educate as…
My upcoming feature film Shadows on the Road is currently in the finishing stages of post. Final editing…
Making a micro-budget film is hard. Making a no-budget film is even harder – especially when you are…
A couple of months ago I picked up the Fuji X-T2 to round off my current lineup of…
On this episode, I interview Will Gong – a talented Los Angeles based Writer and Editor with years of…
One of the most common questions I get relating to producing micro-budget films is: How big of a crew…
One of the most challenging tasks for micro-budget filmmakers is creating a shooting schedule that serves both the creative…
It goes without saying that actors are the lifeblood of any film, and for this very reason it’s crucial that…
No two filmmakers have the same story, or have broken into the industry in the same way. Filmmaker…