First Impressions Of The Lumix GH5S For Filmmaking & Why I Would Stick With The Original GH5
As many of you already know, this week Panasonic made big news with the announcement of new camera…
Cinematography
cinematography
The 3 Best Cameras For Guerrilla Filmmaking On a Budget
Since launching my blog over 5 years ago, there’s been one question I’ve been asked more than any…
Why Color Contrast Is Essential For The Cinematic Look + How To Capture It On set
Having color graded countless films over the years in collaboration with other filmmakers, I’ve encountered my share of…
Technique Over Gear, Or How To Continually Improve Your Craft
I write about gear a lot on this blog, and truly believe that having a thorough understanding of…
A Brief Review Of The Fotodiox ND Throttle Lens Adapter With Built In Filter
Years ago when I was first starting to use lens adapters with my Lumix GH2, I remember wishing…
PODCAST: Designing & Discovering The Perfect Cinema Lens With Ryan Avery
Cinema lenses are one of the most crucial tools in any filmmaker’s toolkit, yet many filmmakers have a…
Color Grading Rant: Why Protecting Your Dynamic Range Is Killing Your Aesthetic
As we all know, high dynamic range is one of the key ingredients needed to achieve a cinematic…
Shooting Super 8mm Film For The First Time On The Beaulieu 4008 ZMII
I’ve made it a point to start shooting more film recently, as I have a Super 16mm project…
My Review Of The Fuji X-T2: The Ultimate 4K Mirrorless For Narrative Filmmakers
A couple of months ago I picked up the Fuji X-T2 to round off my current lineup of…
Why Pickup Shots Are Crucial For Micro-Budget Features + Shooting Our Pickups Guerrilla Style
Many micro-budget filmmakers have an adverse reaction when it comes to pickup shots. After many weeks or months…
Panasonic EVA1 Vs. Canon C200 – Which Is Better For Filmmakers?
This is been one hell of a week for camera announcements. Just a couple days ago, Canon announced…
If I Had To Shoot Everything On A Single Lens, It Would Be a 50mm
I’m often asked “what’s your favorite lens?” by fellow filmmakers, both aspiring and professional. A more accurate way to phrase…
