Shooting F-Log On Fuji’s XT2 And Pairing It With The Brilliant New Eterna Film Simulation LUT = Perfect Colors
Fuji have yet again raised the bar for cinematic color science, this time with the flawless pairing of…
Fuji have yet again raised the bar for cinematic color science, this time with the flawless pairing of…
I am very excited to share my 15 Cinematic LUT packs with all of you today! As a…
DCPs (or Digital Cinema Packages) have long been the gold standard for digital feature film exhibition in theatrical…
For years, the classic 4:3 (or 1.33/1.37) aspect ratio has been on life support. What was once the…
As a filmmaker, understanding how to find work, land bigger and better projects, and actually make a living…
Many of you have been following along with my journey to make a micro-budget feature film (Shadows On…
There are countless variables that come into play when attempting to achieve a filmic look with digital source…
I’m a huge fan of the 16mm format. Many of my favorite films are shot on 16 or…
It’s hard to believe it’s already been nearly a year and a half since we went into production…
Over the past few weeks I’ve been working tirelessly on the finishing work for my feature film Shadows…
I just got back from an exhausting day on the floor at NAB, but wanted to share some…
I’m currently at Blackmagic’s press conference at NAB 2018, waiting for all of the official new announcements to…