Sundance Submission – Shot On Blackmagic in RAW & Cut on FCP X
First off, I would like to thank FCP.co for kindly sharing this article on their site this week.…
Noam Kroll
How To Shoot A Film With A Skeleton Crew
Up and coming filmmakers often ask me how to effectively shoot a film with a Skeleton Crew. For…
Shooting Narrative With The Blackmagic Cinema Camera
This past weekend I Directed and DP’d a short film titled “Brother Sister”, which was shot on the…
10 Tips For Shooting With Available Light
The practice of shooting with only natural or available light on cinematic productions can be fantastic if it…
Hands On With Blackmagic’s 4K/Pocket Cam, & When Are They Shipping?
Today I took a trip down to Blackmagic’s big product demo event that was held in Los Angeles,…
The MoVI – Brilliant tool, but is it worth $15k?
When the MōVI M10 was announced this Spring, it sparked a massive amount of interest and conversation within the…
The 5D Raw Hack And Why I Don’t Care!
As most of you are probably well aware, the past few months have been an exciting time for…
Adobe’s Creative Cloud & How It Will Affect Premiere Pro
First off, I apologize for the lack of posts lately. I’ve had a crazy schedule the last few…
Finally A New Mac Pro! And What It Means For FCP X
If you haven’t already heard the news, Apple finally released the long awaited update to the Mac Pro…
Top 5 DSLRs For Video
UPDATE: Since posting this article last year, many new DSLRs have been released. I just posted an updated…
Setting Up A Basic Edit Suite
Over the past couple of months, I have been re-building my edit suite piece by piece and as…
Blackmagic Cinema Camera vs. Lumix GH3
Blackmagic’s lineup of cinema cameras are most often compared to cameras like the RED Epic, Arri Alexa and…
