Feature Film Journal #2: Refining The Story & Creating A Beat Sheet
Earlier this summer I wrote an article documenting the very first steps of developing my independent feature film,…
Noam Kroll
Tip Of The Day: The Importance Of The Casting Session
It’s been a while since I’ve been able to post one of my Tip Of The Day videos,…
Sign Up For My 2 Day Digital Cinema Bootcamp In Los Angeles Today & Receive A Free Copy Of My DSLR Cinema Guide!
After an overwhelming response to my recently released Guide For Capturing Cinematic Images With Your DSLR, I decided to…
How Taking The ‘Slow Burn’ Approach To Directing Can Improve Your Film Dramatically
There is no denying that the pace of the average feature film today is faster than ever before.…
This Week’s Huge Camera Roundup: 50mm Rokinon Cine Lens, Sony F5 Hack, 4K Amira, New Metabones SpeedBooster & More!
It’s been a really huge week for product announcements, releases, and developments in the camera world, so I wanted…
3 Key Tips For Shooting Better Still Photography With Your Micro Four Thirds Camera
The Micro Four Thirds format has become increasingly more popular with video shooters over the past year or…
The 7 Filmmakers & Cinematographers You Need To Follow On Instagram
So much of the content on this site is dedicated to education, whether it be in the form…
7 Bad Habits That Are Holding You Back As A Cinematographer
Achieving a beautiful, cinematic image when shooting on your DSLR requires you to not only have the right…
There is a Massive Quality Difference Between FCP X & Premiere Pro – Guess Which One Is Far Better At Compression?
I’ve always been really picky when it comes to compressing my video files (especially for web), because the…
My Guide For Capturing Cinematic Images With Your DSLR Is Now Available – Get It While It’s Hot!
About a month ago, I announced that I have been working on my Guide For Capturing Cinematic Images…
Watch My Latest Short Film ‘The Mechanic’ Shot On Canon C100 For Project Greenlight
UPDATE: “The Mechanic” just got through round 1 of Project Greenlight and is now in the running! Wish…
Why I Shot My Latest Film On The C100 & Not Blackmagic, RED EPIC, Or GH4
Yesterday I shot my latest film (The Mechanic) guerrilla style on the Canon C100 in Malibu, CA. Initially I…
