In this episode, I am joined by filmmaker Clinton Cornwell to discuss his feature film 12 Months, which he shot over the course of two years (and 60 shooting days) in a style inspired by Richard Linklater’s Boyhood. Throughout our conversation, we…
Noam Kroll
PODCAST: Making 4 Features & Building a Sustainable Indie Film Model With Nick Psinakis
In this episode, I am joined by filmmaker Nick Psinakis to discuss his journey creating four feature films…
Using Cognitive Dissonance To Level Up Your Storytelling
Almost every student film or early short made by a filmmaker is plagued with the same underlying issue.…
How THE WHITE LOTUS Achieves Its Distinct Tone
One of the hardest but most crucial parts of your job as a director is controlling the tone…
5 Genius Filmmaking Tactics From ADOLESCENCE
Everyone is talking about the new Netflix mini-series Adolescence, which consists of 4 episodes, each shot in a…
Color Tip: Stop Grading “Against The Grain”
Here’s a quick tip we wanted to share to help you avoid one of the most common mistakes…
The Battle Of Filmmaking
We talk so much about how hard it is to make films, but not enough about how hard…
My Picture Lock Workflow: Assembly To Final Cut
After 2 years of writing, production, and editing, our latest feature film Teacher’s Pet is officially picture-locked! While…
PODCAST: Building A New Production Model With Matt Cohen & Sean Thomas Flanagan
In this episode, I am joined by actor/director Matt Cohen (Supernatural, General Hospital, Entertainment Tonight) and producer Sean…
PODCAST: Cutting The A24 Sundance Feature OPUS & Finding Career Success With Editor Ernie Gilbert
In this episode, I am joined by filmmaker Ernie Gilbert to discuss his work on A24’s upcoming horror-thriller-comedy OPUS,…
PODCAST: Making A $10,000 Feature Film Documentary With Director Rob Smat
In this episode, I am joined by filmmaker Rob Smat who shares his experience transitioning from the $100,000…
PODCAST: Stephania Dulowski on Editing BUNNYLOVR & Premiering At Sundance 2025
In this episode, I am joined by film editor Stephania Dulowski to discuss her work on the Sundance…
