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PODCAST: Making A No Crew Feature Supported By David Lowery With Filmmaker Julian Sol Jordan

In this episode, I’m joined by filmmaker Julian Sol Jordan to talk about his self-made debut feature Real Life — an 82-minute hybrid narrative-documentary that was shot, directed, edited, colored, and mixed entirely by himself.

The film, which screened recently at the Texas Theatre in Dallas thanks to a generous grant from David Lowery, is a raw, poetic exploration of early adulthood, nostalgia, and the struggle to find meaning in your 20s.

Throughout our conversation, Julian and I unpack the entire creative process, from rediscovering dusty VHS tapes in his attic to crafting a structure out of chaos with no script in hand. 

Topics covered include: 

  • How Julian shot 80% of the film alone using everything from a Blackmagic to an iPhone 4
  • The value of embracing lo-fi footage and imperfections to elevate emotional truth
  • Why David Lowery funded the premiere and how their mentorship began
  • The unexpected benefit of not writing a script — and when to start one next time
  • How old home movies became the emotional anchor of the film
  • Why guerrilla filmmaking might be Julian’s path forward
  • Much more!

This is Episode 253: Making A No Crew Feature Supported By David Lowery With Filmmaker Julian Sol Jordan

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Links from the show:

Julian Sol Jordan – Instagram

Julian Sol Jordan – YouTube

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About Author

Noam Kroll is an award-winning Los Angeles based filmmaker, and the founder of the boutique production house, Creative Rebellion. His work can be seen at international film festivals, on network television, and in various publications across the globe. Follow Noam on Twitter, Instagram and Facebook for more content like this!

13 Comments

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  • Mike Wilson
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  • I really enjoyed the idea of making an entire feature film with no crew. The use of old VHS footage and different cameras like the Blackmagic and iPhone 4 sounds especially interesting, and it shows how much creativity can come from working with what you have. It’s also fascinating how light, cameras, and visual techniques can shape the way we experience a story. Physics Fundamentals is a great place to explore more about the science behind light and cameras.

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  • This episode really resonated with me, especially Julian’s approach to embracing lo-fi footage and imperfections to elevate emotional truth. As someone who’s also exploring guerrilla filmmaking techniques, I find his journey both inspiring and validating. The fact that David Lowery supported the premiere is a testament to the power of authentic storytelling. It’s interesting how the lack of a script allowed the narrative to emerge from chaos, which reminds me of how krillion sometimes offers answers in unexpected ways. I’d love to hear more about how Julian decided when to start scripting in future projects. Thanks for sharing this insightful conversation.

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  • Shooting 80% of a feature solo with an iPhone 4 is honestly insane. Definitely curious to hear how he managed to make that look cohesive.

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  • Julian’s solo filmmaking journey is inspiring, especially using an iPhone 4 for such a large project. For those looking to streamline complex motion tracking in their own productions, Motion Control AI offers intelligent solutions. Check out how motion control ai free can enhance your creative process.

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  • Julian’s solo filmmaking journey is inspiring to see!
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  • This episode really highlights the power of independent filmmaking and the creative process behind making a solo project like Real Life. If you’re into visual experimentation or retro aesthetics, you’ll love how Wplace Image transforms any image into pixel art instantly. Check out the Wplace pixel converter to convert your own images into stunning pixel art right away!

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  • Julian’s DIY approach to filmmaking is truly inspiring, blending raw authenticity with creative ambition. For creators like Julian, tools that streamline complex tasks—like refining character expressions—can make a huge difference in bringing raw ideas to life. Check out Kling 2.6 Motion Control to explore how Kling 2.6 Motion Control can help you turn static images into dynamic, expressive animations with ease.

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  • Using an iPhone 4 for 80% of a feature is actually wild.

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  • using an iphone 4 for a feature is wild. lo-fi definitely hits different for nostalgia stuff.

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  • Shacora Barnett
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    Wow, what an inspiring podcast episode! Julian Sol Jordan’s insights into making a feature without a traditional crew are both refreshing and empowering. I loved how he emphasized the creativity that arises from constraints—it’s such a game-changer for indie filmmakers! Plus, hearing about David Lowery’s support really highlights the importance of community in our art. Thank you for sharing these valuable discussions, Noam! I’ll definitely be diving deeper into this topic on platforms like block blast free to explore more about no-crew filmmaking. Keep up the amazing work!

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