Over the past few years, color correction tools have become extremely accessible, and more filmmakers than ever are now color grading their own footage – often using LUTs, or Look Up Tables. While LUTs can offer filmmakers an incredible way to improve their creative results while also dramatically reducing post-production time, they need to be used carefully and purposefully in order to achieve the best possible effect.
In this episode, I discuss best practices for using LUTs at every stage of the filmmaking process. Topics include: integrating LUTs into your pre-prouduction workflow, monitoring with LUTs on set, audition looks for clients in post, and the best order of operations for applying LUTs during the grading process.
Take a listen to Episode 36: Color Correction – Maximizing The Power Of LUTs On Set & In Post
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Be sure to check out the full line of cinematic LUTs at www.noamkroll.com/luts
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1 Comment
Henry Larry
atIntegrating LUTs seamlessly across the filmmaking process seems crucial for enhancing visual storytelling. I will definitely check out Episode 36 to delve deeper into optimizing color correction techniques.
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