Today I am joined by editor, writer, and producer Gray Jones – who holds no less than 290 credits in film and television, and also runs a prolific stock footage business. Throughout this episode, Gray shares lessons from his new…
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How I Wrote, Produced & Directed A Feature Film With No-Budget & No-Crew
In celebration of this milestone 200th episode, today I return to the origins of the podcast with a…
AI Screenwriting: Why The Studios Are Wrong About Using ChatGPT To Write Scripts During The WGA Strike
I’ve experimented quite extensively with ChatGPT, having now used it for multiple screenplay writing experiments. Previously I had…
How To Shoot Moving Car Scenes On Green Screen And Add Background Plates In Post
On my latest feature film, I decided to shoot all of our moving car shots on green screen…
5 Truths About Building A Career In Filmmaking
Recently I shared some advice with a group of student filmmakers who are at the onset their careers.…
PODCAST: Making A Critically Acclaimed $30,000 Feature Film With Director Tom Levesque
In this episode I am joined by filmmaker Tom Levesque to share the story behind his debut feature…
Check Out The Teaser For My New Feature Film “Disappearing Boy” Shot With No Crew!
Today, I am thrilled to finally share the first teaser trailer for our new feature film Disappearing Boy. This is…
Every Possible Reason Why Final Cut Pro (FCP X) May Be Crashing, And How To Fix It
I am a big fan of Final Cut Pro, and have used it to cut countless projects –…
PODCAST: How To Get A Debut Feature Green Lit, Produced, And Distributed With Filmmaker Josh Guffey
In this episode I am joined by filmmaker Josh Guffey, here to share his journey and a behind…
How To Make A Feature Film With No Crew
Last year I made a feature film with no crew, and it was one of my most rewarding…
How Hong Sang-soo Made 27 Features In 26 Years
Korean filmmaker (Hong Sang-soo) has risen to somewhat of a cult figure among cinefiles in recent years, and…
The Director Vs. The Filmmaker
About three years ago I made a conscious shift to stop defining myself purely as a film director. Ironically, since…
