My Brand New Cinematic LUT Packs Are Officially Now Available! Choose From These 15 Powerful Sets…
I am very excited to share my 15 Cinematic LUT packs with all of you today! As a…
Noam Kroll
How To Make Any DCP For $25 with DaVinci Resolve 15, Kakadu & Cinematiq
DCPs (or Digital Cinema Packages) have long been the gold standard for digital feature film exhibition in theatrical…
Why The Old-School 4:3 Aspect Ratio Is Coming Back With A Vengeance Right Now
For years, the classic 4:3 (or 1.33/1.37) aspect ratio has been on life support. What was once the…
PODCAST: The Business Of Freelancing With Acclaimed Director Cole Walliser
As a filmmaker, understanding how to find work, land bigger and better projects, and actually make a living…
Our Feature Film SHADOWS ON THE ROAD Will Premiere Next Month At Dances With Films! Come Out If You’re In LA!
Many of you have been following along with my journey to make a micro-budget feature film (Shadows On…
PODCAST: Getting Your Indie Film Programmed At Festivals With Karolyne Sosa
The film festival submission process can be extremely daunting for filmmakers, especially those that have no experience on…
Why “Soft Clip” Is A Key Ingredient For The Cinematic Look + How To Easily Apply It In Post
There are countless variables that come into play when attempting to achieve a filmic look with digital source…
PODCAST: 5 Options For Financing Your Independent Feature Film
Micro-budget filmmakers are often far more focused on the creative aspects of their projects than the business side.…
Shooting 16mm Film On A Budget With My New Arri 16SRII
I’m a huge fan of the 16mm format. Many of my favorite films are shot on 16 or…
PODCAST: Editing The Perfect Trailer For Your Independent Feature Film
Many filmmakers end up editing their own feature films, as low budget projects typically call for everyone on…
The Official Trailer For SHADOWS ON THE ROAD Has Arrived! Watch It Here.
It’s hard to believe it’s already been nearly a year and a half since we went into production…
The Unique Finishing Workflow I Used To Grade, Mix, & Master My Feature Film
Over the past few weeks I’ve been working tirelessly on the finishing work for my feature film Shadows…
