A Quick Review of Tokina’s New 11-16mm DX V-Lens + How It Stacks Up To The Original
Tokina’s 11-16mm lens has been somewhat of a legend amongst indie filmmakers and photographers alike, largely because it’s one of…
Reviews
Tokina’s 11-16mm lens has been somewhat of a legend amongst indie filmmakers and photographers alike, largely because it’s one of…
I don’t think I’ve met a single filmmaker in recent years who hasn’t marvelled over the Arri Alexa.…
When Digital Bolex first hit the scene in 2012 with their Kickstarter campaign, I was instantly fascinated by…
Sony recently announced an exciting new 4K mirrorless camera that is already generating a lot of buzz –…
Blackmagic has been working long and hard to make their flagship color grading software (Resolve) a full fledged…
Over the past couple of years RED has seemingly been looking to take over the very high end cinema camera…
Ever since Veydra released their lineup of Mini-Prime MFT cinema lenses, I’ve been getting lots of e-mails from readers…
ceony made some huge waves in the filmmaking world with their A7S, but the newly announced A7R II…
I’ve been using DaVinci Resolve extensively as a color grading tool for the past few years, but with…
Over the past couple of years I’ve been shooting with Rokinon Cinema Lenses, and have been quite impressed with the…
Kipon recently announced an active EF to Micro Four Thirds lens adapter that may just become one of the…
The news of the FCP X 10.2 release this week got pretty drowned out by all the noise at…