How To Make Video Footage Look Like Film
One of the most common goals for filmmakers and DP’s today is achieving a film look when shooting…
Directing & Producing
The Best Cameras For Shooting A Documentary
I write a lot about cinema cameras and getting the cinematic look that many of us are after,…
Sundance Submission – Shot On Blackmagic in RAW & Cut on FCP X
First off, I would like to thank FCP.co for kindly sharing this article on their site this week.…
How To Shoot A Film With A Skeleton Crew
Up and coming filmmakers often ask me how to effectively shoot a film with a Skeleton Crew. For…
Shooting Narrative With The Blackmagic Cinema Camera
This past weekend I Directed and DP’d a short film titled “Brother Sister”, which was shot on the…
The MoVI – Brilliant tool, but is it worth $15k?
When the MōVI M10 was announced this Spring, it sparked a massive amount of interest and conversation within the…
The Importance of Story
At this very moment, there are an almost inconceivable amount of technological breakthroughs that are changing the face…
Ups & Downs of Shooting a Feature With the GH2
Going into production on my second feature film “Splitting Bethany”, I had a tough time deciding which camera…
Splitting Bethany – Feature Film Shot on GH2
I am in the final stages of post production right now for my upcoming feature film – Splitting…
