On Set For Split With The Gh2 and Zeiss Primes
I shot with Zeiss Primes on my GH2 for the first time today on set for my feature…
Noam Kroll
Big day for Final Cut Pro X – 10.0.6 Update Means Native RED Support Amongst Many Other Things
This has been the day that FCPX users have been waiting for – The major update to Final…
$140 Waterproof SLR Case From DiCAPac
When looking at waterproof housing for your SLR, there are more options available than you might expect. I…
Gear List For My Feature Film – Split
I am currently in production for my second feature film titled Split. The film focuses on the dissolution…
Review: Sony Action Cam
For those of you that don’t know, the Action Cam is Sony’s answer to the GoPro. It is…
Amazing New Finishing Tool: FilmConvert
A large part of my day to day work involves Color Grading as the business that I run…
Breakdown of EOS to M43 Adapter Types and Review on the Fotodiox
When adapting EF/EOS lenses to work with your MFT mount camera, you have a few options. Each option…
Using Premiere Pro As a Workflow Tool
Premiere Pro is tool that I’ve had a bit of a love/hate relationship with. I started using it…
Review: SLRMagic 12mm T1.6 Hyperprime
Recently, I picked up the 12mm T1.6 Hyperprime from SLRMagic as I was in need of a fast wide angle…
So Many Sliders
I am currently gearing up for a feature film and the script calls for some nice slow, small…
Why I Am Editing My Feature Film In FCP X
In October I go into production for my second feature which is set to be shot over 11…
New Raw Cameras, Which To Choose?
Earlier this year three potentially groundbreaking cameras were announced that have a few things in common: They shoot…