5 Easy Tips For Achieving Excellent Day For Night Shots On Set And In Post
Low-light cameras like the Sony A7S and Canon C300 have been opening up incredible possibilities for shooting night exterior…
Noam Kroll
Convention Vs. Cliché: The Truth About Crafting A Truly Original Film
The regular readers of my site know that most of the content I write about is production and post…
Why Highlight Rolloff Matters As Much As Dynamic Range & Which Affordable Cinema Camera Does It Best
High dynamic range cameras are currently all the rage with filmmakers, and for good reason. After all, more…
Veydra MFT Cinema Lens Kit Review & Rokinon Cine Lens Comparison
Ever since Veydra released their lineup of Mini-Prime MFT cinema lenses, I’ve been getting lots of e-mails from readers…
3 Of The Most Critical Tips For Lighting Your Talent With Hard Light
Most filmmakers will opt to light their actors with soft light as it can be very forgiving, easy…
5 Reasons Why I’d Pick The Sony A7R II Over The Sony A7S For Video
ceony made some huge waves in the filmmaking world with their A7S, but the newly announced A7R II…
Adobe Stock Was Just Launched And It Could Make A Huge Dent In The Post-Production Industry
Adobe just launched a brand new stock footage platform – simply called “Stock” – that’s fully integrated with…
Why I Might Edit My Feature Film On DaVinci Resolve, And Why You Should Consider It Too
I’ve been using DaVinci Resolve extensively as a color grading tool for the past few years, but with…
Download My Free GH4 Cine-D LUT Here! Plus, Why I’m Not Using The New GH4 Supertone Settings
Like many other GH4 shooters out there, I’ve been back and forth about which picture profiles and settings are…
How To Match Skintones Perfectly Using Qualifiers & Power Windows In DaVinci Resolve
Skin tones are arguably the most important element of your image to get right when color grading, yet most editors…
AJA Just Cut $4000 Off Of The Price Of Their Cion – Here’s Why They Had No Other Choice
I’ve personally never shot with the AJA Cion, but I’ve always been intrigued by the camera as it offers…
Behind The Scenes: Shooting A Mood Film On No Budget With The Arri Amira
Over the last couple of weeks I’ve been working on a short mood film with the intention of showcasing…
