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As a loyal Lumix shooter and customer for years, replacing my GH4 with a Sony A7S II was no easy decision. Since the GH2 I’ve been a big fan of the Lumix mirrorless lineup, and their cameras have done very well for me on countless projects. But after several years of shooting on the GH2, GH3 […]Read more →
Convergent Design just announced a new flagship product – The Apollo, which is bound to excite a very wide variety of content creators. In a nutshell, the Apollo is an exceptionally powerful monitor/recorder that has the ability to capture up to 4 individual cameras simultaneously, which is pretty astounding. One of the most exciting trends in […]Read more →
Over the past couple of years RED has seemingly been looking to take over the very high end cinema camera market, with Arri directly in their crosshairs. But with the recent official announcement of their new entry level camera – The Raven, it looks like the company’s strategy may be shifting. Although the idea of an entry […]Read more →
The last couple of weeks have been filled with camera and gear announcements, many of which came out of IBC 2015 (Europe’s answer to NAB). The usual suspects – Sony, Blackmagic, RED, and others were there to announce their latest products, and I’ve rounded up some of the highlights for you guys here. Sony A7S II […]Read more →
I recently started a video podcast co-hosted by David Thies – a friend of mine and an excellent television director/DP in his own right. Dave and I have created some content together in the past, but decided to start a video podcast to capture some of our gear/industry related discussions for all of you to listen in […]Read more →
Just a few days ago, I wrote a post about the GH5 and the features that I hope to see included when it’s released. While all of the points I made there still are valid, the timeline and overall trajectory of the GH5 release may be different than many of us had thought. If you haven’t yet […]Read more →
This week I had the pleasure of interviewing Dan May, President of Blackmagic Design at BMD Day here in Los Angeles. Throughout the course of the interview we touched on the new 4.6K URSA sensor, the future of the Pocket Camera, some company philosophy and much more. Check it out below! As some of you know, I’ll be […]Read more →
I’ve been a huge fan of Panasonic’s GH cameras for years now, having owned the GH2, GH3 & GH4 at one point or another. Each iteration in the GH lineup has been more impressive than the last, but it was the GH4 that allowed Panasonic to make a real dent in the market. That said, […]Read more →
High dynamic range cameras are currently all the rage with filmmakers, and for good reason. After all, more dynamic range typically helps to emulate the film look that so many of us are after… But the reality is dynamic range will only get you part of the way there. To really get that filmic quality […]Read more →
Ever since Veydra released their lineup of Mini-Prime MFT cinema lenses, I’ve been getting lots of e-mails from readers asking me to do a review on them. So for those of you that have been waiting, this article is for you. I was able to use these lenses for the first time on a professional shoot several […]Read more →
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