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Just a few days ago, I wrote a post about the GH5 and the features that I hope to see included when it’s released. While all of the points I made there still are valid, the timeline and overall trajectory of the GH5 release may be different than many of us had thought. If you haven’t yet […]Read more →
This week I had the pleasure of interviewing Dan May, President of Blackmagic Design at BMD Day here in Los Angeles. Throughout the course of the interview we touched on the new 4.6K URSA sensor, the future of the Pocket Camera, some company philosophy and much more. Check it out below! As some of you know, I’ll be […]Read more →
I’ve been a huge fan of Panasonic’s GH cameras for years now, having owned the GH2, GH3 & GH4 at one point or another. Each iteration in the GH lineup has been more impressive than the last, but it was the GH4 that allowed Panasonic to make a real dent in the market. That said, […]Read more →
High dynamic range cameras are currently all the rage with filmmakers, and for good reason. After all, more dynamic range typically helps to emulate the film look that so many of us are after… But the reality is dynamic range will only get you part of the way there. To really get that filmic quality […]Read more →
Ever since Veydra released their lineup of Mini-Prime MFT cinema lenses, I’ve been getting lots of e-mails from readers asking me to do a review on them. So for those of you that have been waiting, this article is for you. I was able to use these lenses for the first time on a professional shoot several […]Read more →
ceony made some huge waves in the filmmaking world with their A7S, but the newly announced A7R II might just be the better choice for many filmmakers. I’ve never owned a Sony A7S but I have shot with the camera numerous times and was always impressed by it. I love how small and compact the […]Read more →
I’ve personally never shot with the AJA Cion, but I’ve always been intrigued by the camera as it offers some powerful specs in a nicely designed body. That said, the fact that it retailed at $9000 was always a huge drawback for me, as the Cion always seemed like it should have been priced more in the […]Read more →
Over the past couple of years I’ve been shooting with Rokinon Cinema Lenses, and have been quite impressed with the results. I’ve been wanting to do a review on these lenses for a while, but held back because I was missing a key lens in the kit – the 50mm, which I just recently picked up. So finally, I’m […]Read more →
Kipon recently announced an active EF to Micro Four Thirds lens adapter that may just become one of the most useful tools for MFT shooters that own Canon glass. Up until now, the Metabones Speedbooster was your best bet when it came to adapting EF lenses to MFT bodies, but this new adapter from Kipon is giving it […]Read more →
A few weeks back I was asked to shoot a promo piece for a local LA model who needed content for her new website. This was a very small project I shot/edited with no crew, and had the intention of also showing in here on the blog to discuss slow motion work on the GH4. I […]Read more →
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