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Over the past couple of years RED has seemingly been looking to take over the very high end cinema camera market, with Arri directly in their crosshairs. But with the recent official announcement of their new entry level camera – The Raven, it looks like the company’s strategy may be shifting. Although the idea of an entry […]Read more →
The last couple of weeks have been filled with camera and gear announcements, many of which came out of IBC 2015 (Europe’s answer to NAB). The usual suspects – Sony, Blackmagic, RED, and others were there to announce their latest products, and I’ve rounded up some of the highlights for you guys here. Sony A7S II […]Read more →
I recently started a video podcast co-hosted by David Thies – a friend of mine and an excellent television director/DP in his own right. Dave and I have created some content together in the past, but decided to start a video podcast to capture some of our gear/industry related discussions for all of you to listen in […]Read more →
Just a few days ago, I wrote a post about the GH5 and the features that I hope to see included when it’s released. While all of the points I made there still are valid, the timeline and overall trajectory of the GH5 release may be different than many of us had thought. If you haven’t yet […]Read more →
This week I had the pleasure of interviewing Dan May, President of Blackmagic Design at BMD Day here in Los Angeles. Throughout the course of the interview we touched on the new 4.6K URSA sensor, the future of the Pocket Camera, some company philosophy and much more. Check it out below! As some of you know, I’ll be […]Read more →
I’ve been a huge fan of Panasonic’s GH cameras for years now, having owned the GH2, GH3 & GH4 at one point or another. Each iteration in the GH lineup has been more impressive than the last, but it was the GH4 that allowed Panasonic to make a real dent in the market. That said, […]Read more →
High dynamic range cameras are currently all the rage with filmmakers, and for good reason. After all, more dynamic range typically helps to emulate the film look that so many of us are after… But the reality is dynamic range will only get you part of the way there. To really get that filmic quality […]Read more →
Ever since Veydra released their lineup of Mini-Prime MFT cinema lenses, I’ve been getting lots of e-mails from readers asking me to do a review on them. So for those of you that have been waiting, this article is for you. I was able to use these lenses for the first time on a professional shoot several […]Read more →
ceony made some huge waves in the filmmaking world with their A7S, but the newly announced A7R II might just be the better choice for many filmmakers. I’ve never owned a Sony A7S but I have shot with the camera numerous times and was always impressed by it. I love how small and compact the […]Read more →
I’ve personally never shot with the AJA Cion, but I’ve always been intrigued by the camera as it offers some powerful specs in a nicely designed body. That said, the fact that it retailed at $9000 was always a huge drawback for me, as the Cion always seemed like it should have been priced more in the […]Read more →
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