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Blackmagic has been working long and hard to make their flagship color grading software (Resolve) a full fledged NLE and finishing system. While previous iterations of the software offered solid editorial functionality, it wasn’t until version 12 that everything changed. Personally speaking, I’ve had such an amazing experience editing projects on Resolve 12 that it’s […]Read more →
Low-light cameras like the Sony A7S and Canon C300 have been opening up incredible possibilities for shooting night exterior scenes without any lights at all. But there are still some huge advantages to shooting day for night which can make it an ideal choice for many filmmakers. So for those of you that are looking to go […]Read more →
I’ve been using DaVinci Resolve extensively as a color grading tool for the past few years, but with version 12 just around the corner I am very tempted to use it to cut my next feature. Those of you that read this blog frequently know that I use all of the major NLE’s, and often […]Read more →
Like many other GH4 shooters out there, I’ve been back and forth about which picture profiles and settings are best to use when shooting with this camera. When I first got the GH4 I was messing around with my settings a lot (master ped, shadow/highlight, etc.), but eventually realized that I would get much better results by not […]Read more →
Skin tones are arguably the most important element of your image to get right when color grading, yet most editors and amateur colorists approach skin tones completely the wrong way. Throughout this post, I’ll outline my favorite technique for grading and matching skin tones within DaVinci Resolve in just 4 simple steps… It goes without saying that skin tones […]Read more →
The news of the FCP X 10.2 release this week got pretty drowned out by all the noise at NAB. Naturally, new camera announcements always draw the most attention, and with the internet exploding with new gear reports every two minutes a lot of news got swept under the rug. That said, the new iteration of […]Read more →
The debate about which editing software is best has largely died down over the past year or so. Initially when FCP 7 was replaced by X, it took quite a while for the post-production world to stabilize… Some editors stuck with Avid, may former FCP 7 editors went with Premiere Pro, and a handful of others decided to give […]Read more →
Practically every editor and filmmaker I know has had a copy of DaVinci Resolve on their laptop since the free version was made available. Unfortunately though, most Resolve users are only using the software on it’s most basic level and haven’t yet discovered how powerful some of it’s basic features are – including Layer Nodes. Nodes Most […]Read more →
Even before I started working as a professional colorist, I had always loved to toy around with color settings within my editing software to enhance the look of my footage. One of the most common looks that I would implement (and still do to this day) is the low contrast look, which can be really […]Read more →
With color grading software like DaVinci Resolve and Adobe Speedgrade being readily available to just about anyone with access to the internet, it’s no surprise that more and more filmmakers are attempting to color their own footage. In many cases, I would advise against coloring your own work unless like myself, you also work as […]Read more →
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