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One of the biggest reasons that high end cinema cameras are so preferable to shoot on over DSLRs or other prosumer cameras, is because of the flexibility that they have in post. Cameras like the Arri Alexa, Sony F55, and RED Epic/Dragon all feature raw recording to allow for maximum creative freedom when color grading. Ironically […]Read more →
One of the biggest reasons that filmmakers are falling in love with the GH4 is because of it’s amazing ability to shoot at high frame rates internally. No other DSLR/DSLM has the ability to over crank the way the GH4 can, which offers variable frame rates at up to 96 frames per second. This is pretty astounding, […]Read more →
Many cinematographers feel that the camera they shoot on is the least important element when it comes to capturing a beautiful image since lighting, lenses, color grading, and other factors often play a more important role. I myself fall into this camp for the most part, and those of you that are frequent visitors of the site likely […]Read more →
Over the couple of weeks a lot of camera announcements have been made – some very exciting, and others not so much. The Canon 7D MKII, Samsung NX1 (which shoots 4K encoded to H.265), and the Sony FS7 are just a few of the highlights. I will be posting some of my thoughts on these […]Read more →
After an overwhelming response to my recently released Guide For Capturing Cinematic Images With Your DSLR, I decided to take things a step further by organizing an in-person digital cinema course this fall. There’s nothing quite like having hands on experience on a real set to jumpstart your knowledge and understanding of the craft of cinematography. The […]Read more →
It’s been a really huge week for product announcements, releases, and developments in the camera world, so I wanted to do a quick roundup here for anyone that hasn’t been able to keep up. I’ll start things off by highlighting a new lens by Rokinon, that I have personally been waiting for ages to get my […]Read more →
The Micro Four Thirds format has become increasingly more popular with video shooters over the past year or two (thanks to innovative MFT cameras like the Lumix GH4), but the majority of photographers still prefer to shoot with full frame bodies. That said, throughout this article I’m going to explain some techniques for achieving better results with […]Read more →
Achieving a beautiful, cinematic image when shooting on your DSLR requires you to not only have the right skills, but just as importantly to know what not to do. Many up and coming filmmakers and DPs will work tirelessly to train themselves and do all the right things, yet their work improves much more slowly than […]Read more →
About a month ago, I announced that I have been working on my Guide For Capturing Cinematic Images With Your DSLR, and after countless hours of prepping, shooting and editing, it is finally complete and available as of today! The guide itself is an extremely in depth 82 minute tutorial video that acts like a […]Read more →
Independent filmmakers are constantly striving to make their low-budget films emulate higher budget productions in any way that they can. One of the most common goals for directors and cinematographers is to recreate the ‘film look’, (which is certainly something I can relate to!). But unfortunately in the quest to find this look there have been some […]Read more →
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