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A few weeks back I was asked to shoot a promo piece for a local LA model who needed content for her new website. This was a very small project I shot/edited with no crew, and had the intention of also showing in here on the blog to discuss slow motion work on the GH4. I […]Read more →
Over the last couple of weeks I have been testing out the brand new Samsung NX1 4K camera, which all in all I have been very impressed with. The NX1 was generously loaned out to me by B & H last month, and it was really a treat to get my hands on it so early on so that I […]Read more →
I get asked a lot of questions about the GH4, but perhaps the most common question recently has been “What does the 4K mode on the GH4 do?”, and I finally wanted to address that here today. Throughout this post, I’m going to outline exactly what the 4K Photo mode is intended to do, and how […]Read more →
The 50mm focal length has always been one of my favorites. On a full frame or Super 35mm camera a 50mm lens will act as a beautiful ‘normal’ length lens, closely resembling the field of view of the human eye, while on crop sensor cameras (such as Micro Four Thirds) they become excellent telephoto or portrait […]Read more →
There have been a handful of camera announcements over the past few weeks, but perhaps the most exciting news has revolved around the new Olympus E-M5 MK II. I will be doing a full video review on this camera in the next month or two, but in the mean time I wanted to share my first impressions of this […]Read more →
2014 was a big year for camera releases, especially in the DSLR/DSLM world. The Lumix GH4 and Sony A7S largely stole the spotlight, with both cameras offering incredible image quality, 4K capabilities, and loads of other great video features that got filmmakers everywhere excited… But one camera that hasn’t had as much buzz as we’ve seen […]Read more →
As many of you know, I am someone that is particularly obsessed with the ‘film look’. Much of my directorial work is narrative based, and as such I am naturally drawn to a more cinematic look as it is often conducive to the dramatic stories that I like to tell. And although I am far […]Read more →
So many younger cinematographers today have come up during the DSLR revolution, and as a result have never used lenses that feature T-Stop markings. DSLR lenses are of course intended for stills photography first and foremost, and the standard measurement of aperture in photography has always been an F-Stop. In film however, aperture is measured in T-Stops which […]Read more →
I apologize for the last of posts recently, as the last couple of weeks have been very hectic! I just wrapped up production on a couple of commercial/corporate spots, directed three music videos and ran my Digital Cinema Bootcamp this past weekend – amongst other things. I have some really great material that I’m going […]Read more →
My very first video camera ever (in the early 2000s) was a 3ccd Sony TRV900 – which at the time was an awesome miniDV cam. Somehow though, it became the first and last Sony camera that I’ve ever owned as I eventually moved onto Panasonic’s lineup, and later came around to own cameras by nearly every other major brand. […]Read more →
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